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METROPOLIS. 1927, Germany. Directed by Fritz Lang.
This early Sci-Fi masterpiece is one of the most influential films ever made. You can clearly see its echoes in Blade Runner and many other films. This version is the 2010 version which includes 20 minutes of newly found footage added from South America. Adolph Hitler was so impressed by Metropolis that he asked Fritz Lang to work for his newly formed political party. Fritz Lang refused and fled to America. He continued making films in Hollywood. The film has, literally, a cast of thousands, and its epic nature is equaled by The Anvil Orchestra’s intensely rhythmic and atmospheric score.
THE GENERAL. 1926. Directed by and starring Buster Keaton.
Buster Keaton is a southerner who is in love with both his train (he is an engineer) and his gal. He foils a Union Army raid against his Confederate homeland in typical Keaton bumbling manner, but wit a brilliance that only he can conjure up. The General makes many lists as one of the greatest films of all time.
UNDERWORLD. 1927. Directed by Josef von Sternberg.
Underworld is the defining gangster film from the silent era. It has been quoted by many gangster films which followed in the talkies. The gangster leaders really are not good people, but honor and sympathy still abound in the film. The score is dramatic with a jazz/bluesy undercurrent, from shoot-outs to flowering romance.
Coming in 2022:
MAN WITH THE MOVIE CAMERA. 1929, Russia. Directed by Dziga Vertov.
This uber-classic of Russian avant-garde film-making helped define the edges of film for years to come. “A day in the life of Russian cities,” this film has no linear plot other than the unfolding of the day. But nonetheless is extremely watchable and entertaining. By the end, the energy virtually explodes, along with the audience’s expectations. An amazing film by every measurement. It was voted “the Best Documentary of all time” by the British Film Instituted in 2019.
A Gallery of Monsters (La Gellerie des Monstres). 1924 France. Directed by and starring Jacque Catelain. Produced by Marcel L’Herbier.
The Anvil Orchestra loves circus films, and this one is one of the best. Recently restored by Lobster Films in France, it is a classic in the style. The Circus Owner is the most monstrous of the characters (though the Lion Tamer poses his own problems), and the young couple, Riquett and Raida, have to navigate the dark side and the caring side of the circus. Classic characters in an often surreal setting, lion attack and all. .
THE BLACK PIRATE. 1926. Starring Douglas Fairbanks.
An over-the-top swashbuckler for all age groups! Douglas Fairbanks is the Black Pirate, and no one does it better. The underwater assault on the pirate ship remains one of the most amazing and absurd sequences from the silent era.
NOSFERATU: A SYMPHONY OF HORROR. 1922. German. Directed by F. W. Murnau. Starring Max Schreck
Nosferatu is the primordial German Expressionist vampire movie. The image of the vampire Count Orlok is imbedded in cinematic history. In the war of creepy vs. campy, creepy wins out in this film, hands down. Transylvania was never so disturbing.
THE LOST WORLD. 1925. England.
This primordial dinosaur epic is based on Sir Arthur Conan Doyle’s story. Our British scientists argue and bicker, then boat across the Atlantic to an obscure plateau in Brazil where dinosaurs, volcanos and primitive humanoids harass them endlessly! The film has more than one relationship to KING KONG – in fact the same Stegosaurus model was used in both films. It is a rousing adventure where time has stood still.
PHANTOM OF THE OPERA. 1925. Starring Lon Chaney. Directed by Rupert Julian
The original Phantom of the Opera, with Lon Chaney’s “master of a thousand faces” in full force. Horror and confusing plot lines were never so well intertwined. Despite the obvious warp in the Phantom’s personality, by the end of the film Chaney’s pathos elicits true sympathy.
VARIETE. 1925 German. Directed by E. A Dupont. Starring Emile Jannings and Lya De Putti.
A tale of love, deception, revenge and redemption, often on a trapeze in the circus. Variete has long been considered to be a masterpiece of German cinema, and the superb recent restoration brings its stunning cinematography to life. The love that the Anvil Orchestra has for playing circus films is apparent.
This romantic comedy was shot largely in a long-gone Coney Island. The film is 98% silent: since talkies were just entering the scene, there are three sort dialog sections, touchingly innocent about how the new world of sound fits in with film.
A PAGE OF MADNESS. 1926. Japanese.
One of the rare Japaneses silents to survive WWII, this film is unlike anything you’ve ever seen. Set in an insane asylum, it’s often hard to tell if the viewer is seeing through the inmates’ or the caretakers’ eyes. It is a visual treat matched only by the group’s willingness to follow the film where-ever it leads.